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Origami Instructions Free Online Plan also shows the results graphically of moving away from the 'purest' form of Origami in all the eight directions. In some cases I use marked the art as 'open-ended', for example paper-cuts.

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By this I mean that we will no longer have a shut down system typical of Origami where a procedure exists to create a model and can return to the starting point. It is arguable it is the closed-system through which can some- how break, this is the real characteristic of Origami. ShapingRegular figures such as triangles, pentagons are well established for Origami.

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such focus on Symmetric figures such as stars from which flowers can be folded. Irregular figures have came out occasionally, however the most extreme form occur in Paper Miracle with Rolf Harris's models. Silhouettes have no restrictions in the Origami sense and are of course closely related to paper cutting. In its simplest form cuts are made earlier to folding in a symmetric and planned way which will 'open up' the fabric available without the need for excessive density. The most recent talk about of the techniques is by Toshie Takahama who refers to it as Kirikomi and distinguishes it as typical of very early Japanese Origami.

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Uchiyama is reported as acquiring a patent in 1908 for 'KOKO'. style origami which appears to be the same in idea. Japanese books are packed with slitting to achieve ears or a tail or even legs. Perhaps one of the most famous examples of theme 'slits to avoid folding' is in Fred Rohm's Festival pony in which 2 cuts are made, one for the ears and the other to give enough points for the hip and legs. Rohm folded his Circus pony without cuts but the technique is then a lot more complex. Thus we have 2 motives for cutting appearing here; one to create new opportunities Bateau Papier Pliage Origami and the other to avoid the complexities of a model achieved solely by folding.

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In a corner of the Sustenance Industry Pavilion at EXPO', electricity was used to make Origami pigeons flap their wings. Modelling It is now usual in animal folds to call for a final modelling particularly when foil has recently been used and one can make certain of the substance remaining in place. A contemporary example of this is in Pat Crawford's models. Neal Elias who probably led the move in the West to 3D insists on any modelling following the folding The thought of wetting the paper is apparently Japanese in origin was Mon Bateau De Papier Musique demonstrated by Yoshizawa at a Convention in Liverpool. Another method of moist moulding using paste in the preparation is mentioned by Alice Gray she was shown it by Yoshizawa during a visit to Japan. The folds tend to be gentle and that we are approaching figurine rather than Origami.

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Typically the associated arts are Weaving cloth and Macrame which are open-ended. However string we can have 'Cats Cradles' which is a closed-systems game with direct analogie to Origami. Multi-layer Toshie Takahama has produced some superb examples of this variation of Origami. Typically the sheets of paper are folded together but usually opened at the end to show the multi-layers usually with different colors. In flower folding and possible doll-making the multi-layer strategy is exploited for the own sake with little or no folding engaged. Multi-Part Isao Honda (15) was probably the first to write techniques involving 2 separate sheets of paper each folded to represent some part of the pet and then brought together. The idea may well be traditional; if not in how Honda uses it - see for example the Pagoda in Paper Wonder. Recently kits have made an appearance for folding a dragon from a amount of squares of different sizes.

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Within the most extreme mixtures of water and paper we are, naturally , in the world of fun which is evidently an open-ended art. DecoratingThe simplest step from your single coloring is one side female and one white or plain. A great offer of modern Origami uses this colour difference. A delightful example is Joan Homewood's Robin. We can use the texture of our material which need not even be foil or paper. Neal Elias collects patterned foil and has shown models in 3 colours which depend after selecting the most appropriate pattern and cutting his material to get the colour exactly where he wants them. A more restricted form Avion En Papier Planeur Qui Vole Longtemps of decoration occurs in Japanese papers which are already printed with a design suited to a special model. The end of this process is evidently the decoration of the final model and so into the decorative art proper which is open-ended. Lengthening By simply stretching our square we obtain rectangles then ribbon and finally string.

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The trimming out of holes etc. to indicate eyes and so forth is sometimes found in Japanese books and we are obviously coping with method which is becoming open-ended. When we fold in a symmetric way to prepare our paper for cutting the folding has obviously become secondary (2). Honda Comment Faire Un Bateau En Papier Video has called this kind of paper-craft Mon-Kiri (which means crest-making). The last step in the slitting or cutting is paper-cutting, some of the finest examples are probably from China and obviously here we have an open-ended Art form. Supporting A way of moving away from the 'pure' central form is that of supporting or adding display mechanics to the models. In its easiest form organic beef use glue, staples or 'blue tac' to hold an auto dvd unit in the desired pose and position. Or we may use wiring or card. The most unusual form of 'display mechanics' that I actually am knowledgeable about is by Toyoaki Kawai.